Gentle, subtle, refined and romantic, Thomas Adès’s The Origin of the Harp takes its inspiration from a painting by Daniel Maclise whose subject is the Celtic Legend of a water nymph who falls for a mortal and struggles hopelessly to leave her element and join him on land. The Gods, taking pity on her failure, intervene and turn her into a harp, transforming her weeping into a gentle music of wind through strings. The painting shows her in the moment preceding the metamorphosis, the strands of her hair framed by a triangle of her body, a rock and her arm. In this piece, too, the harp itself is not featured but suggested, at the start of the fourth and final section, after a flash of divine intervention. A brief nine-minute tone poem for trios of clarinets, violas and cellos, and percussion, this work was first performed by the Hallé Orchestra in 1994.
_x000D__x000D_| Artist | |
| Composer | Thomas Ades |
| Publisher | Faber Music |
| Series | |
| Pages | 64(07) |
| Language | |
| Instrument | |
| Category | Ensemble |
| SubCategory1 | Chamber Music |
| SubCategory2 | |
| Medium | Softcover |
| ISBN13 | 9780571518111 |
| ISBN13 | 00012094 |
| Dimensions | 297x210 |